C Major
Completely Pure. Its character is: innocence, simplicity, naivety, children's talk.
C Minor
Declaration of love and at the same time the lament of unhappy love. All languishing, longing, sighing of the love-sick soul lies in this key.
Db Major
A leering key, degenerating into grief and rapture. It cannot laugh, but it can smile; it cannot howl, but it can at least grimace its crying.--Consequently only unusual characters and feelings can be brought out in this key.
C# Minor
Penitential lamentation, intimate conversation with God, the friend and help-meet of life; sighs of disappointed friendship and love lie in its radius.
D Major
The key of triumph, of Hallejuahs, of war-cries, of victory-rejoicing. Thus, the inviting symphonies, the marches, holiday songs and heaven-rejoicing choruses are set in this key.
D Minor
Melancholy womanliness, the spleen and humours brood.
Eb Major
The key of love, of devotion, of intimate conversation with God.
D# Minor
Feelings of the anxiety of the soul's deepest distress, of brooding despair, of blackest depression, of the most gloomy condition of the soul. Every fear, every hesitation of the shuddering heart, breathes out of horrible D# minor. If ghosts could speak, their speech would approximate this key.
E Major
Noisy shouts of joy, laughing pleasure and not yet complete, full delight lies in E Major.
E minor
Naive, womanly innocent declaration of love, lament without grumbling; sighs accompanied by few tears; this key speaks of the imminent hope of resolving in the pure happiness of C major.
F Major
Complaisance & Calm.
F Minor
Deep depression, funereal lament, groans of misery and longing for the grave.
F# Major
Triumph over difficulty, free sigh of relief uttered when hurdles are surmounted; echo of a soul which has fiercely struggled and finally conquered lies in all uses of this key.
F# Minor
A gloomy key: it tugs at passion as a dog biting a dress. Resentment and discontent are its language.
G Major
Everything rustic, idyllic and lyrical, every calm and satisfied passion, every tender gratitude for true friendship and faithful love,--in a word every gentle and peaceful emotion of the heart is correctly expressed by this key.
G Minor
Discontent, uneasiness, worry about a failed scheme; bad-tempered gnashing of teeth; in a word: resentment and dislike.
Ab Major
Key of the grave. Death, grave, putrefaction, judgment, eternity lie in its radius.
Ab Minor
Grumbler, heart squeezed until it suffocates; wailing lament, difficult struggle; in a word, the color of this key is everything struggling with difficulty.
A Major
This key includes declarations of innocent love, satisfaction with one's state of affairs; hope of seeing one's beloved again when parting; youthful cheerfulness and trust in God.
A minor
Pious womanliness and tenderness of character.
Bb Major
Cheerful love, clear conscience, hope aspiration for a better world.
Bb minor
A quaint creature, often dressed in the garment of night. It is somewhat surly and very seldom takes on a pleasant countenance. Mocking God and the world; discontented with itself and with everything; preparation for suicide sounds in this key.
B Major
Strongly coloured, announcing wild passions, composed from the most glaring coulors. Anger, rage, jealousy, fury, despair and every burden of the heart lies in its sphere.
B Minor
This is as it were the key of patience, of calm awaiting ones's fate and of submission to divine dispensation.
Sunday, May 2, 2010
Characters of the different keys
Here's a list of the romantic affects ascribed to the different keys, from an 1806 book, taken from http://www.wmich.edu/mus-theo/courses/keys.html. These days people usually claim all keys sound the same, because equal temperment gives every key the same pitch relationship between the notes, but of course that's not true. Pitch is absolute as well as relative, and different keys put the pitch center higher and lower in the hearing range. Also, for real instruments, different notes just plain sound different, especially on the bassoon. So different keys are really different. Of course, if you'd like to emphasize the differences, you can do some reading, and pick some suitable unequal temperment.
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Yes! So what key are you? Find out here... http://apps.facebook.com/whatsyourmusdauqjs/
ReplyDeleteIt said I was E minor.
All of You is largely in Ab minor and I agree with every word of the description. I have been mostly improvising in Ab minor as well. Actually All of You is technically in Eb major, but at least half the song is Ab minor, so there is a huge contrast switching back and forth.
Hey, I got E minor too.
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